Scots language

Native speakers sometimes refer to their vernacular as braid Scots (or "broad Scots" in English)^[3] or use a dialect name such as the "Doric"^[4], "Teri"^[5] or the "Buchan Claik".^[6] The old-fashioned Scotch, an English loan,^[7] occurs occasionally. The term Lallans, a variant of the Modern Scots word lawlands [ˈlo̜ːlən(d)z, ˈlɑːlənz],^[8] is also used (though this is more often taken to mean the Lallans literary form^[9]). Scots in Ireland is known in official circles as "Ulster Scots" or "Ullans", a recent neologism merging "Ulster" and "Lallans"^[10].

[edit] Etymology

Scots is a contraction of Scottis, the Older Scots^[11] and northern version of late Old English Scottisc (modern English "Scottish"), which replaced the earlier i-mutated version Scyttisc.^[12][13]

Prior to the 15th century the vernacular of Lowland Scotland was known as Ynglis or Inglis from Old English englisc, the modern form Ingles [ˈɪŋlz] surviving in personal and place names such as Ingles and Ingleston. At the time it was Gaelic which was named Scottis.

By the beginning of the 15th century, the Lowland vernacular had arguably become a distinct language, albeit lacking a name which clearly distinguished it from the English of southern Britain. From 1495 the term Scottis was increasingly used to refer to the Lowland vernacular^[1] and Erse, meaning Irish, as a name for Gaelic. For example, towards the end of the 15th century William Dunbar was using Erse to refer to Gaelic and in the early 16th century Gavin Douglas was using Scottis as a name for the Lowland vernacular.^[14][15] The term Erse is usually considered pejorative, and the Gaelic of Scotland is now usually called Scottish Gaelic.

Lufe God abufe al and yi nychtbour as yi self (Love God above all and thy neighbour as thyself) an example of Early Scots on John Knox House, Edinburgh

Northumbrian Old English had been established in southeastern Scotland as far as the River Forth by the seventh century^[16]. It remained largely confined to this area until the thirteenth century, continuing in common use while Gaelic was the language of the Scottish court. The succeeding variety of Early northern Middle English spoken in southeastern Scotland, also known as Early Scots, began to diverge from that of Northumbria due to twelfth and thirteenth century immigration of Scandinavian-influenced Middle English-speakers from the North and Midlands of England^[17]. Later influences on the development of Scots were from Romance languages via ecclesiastical and legal Latin, Norman^[18] and later Parisian French due to the Auld Alliance as well as Dutch and Middle Low German influences due to trade and immigration from the low countries^[19]. Scots also includes loan words resulting from contact with Gaelic. Early medieval legal documents include a body of Gaelic legal and administrative loans^[20]. Contemporary Gaelic loans are mainly for geographical and cultural features, such as ceilidh, loch and clan.

From the thirteenth century Early Scots spread further into Scotland via the burghs, proto-urban institutions which were first established by King David I. The growth in prestige of Early Scots in the fourteenth century, and the complementary decline of French in Scotland, made Scots the prestige language of most of eastern Scotland. By the sixteenth century Middle Scots had established orthographic and literary norms largely independent of those developing in England^[21]. From 1610 to the 1690s during the Plantation of Ulster large numbers of Scots-speaking Lowlanders, some 200,000, settled there.^[22] In the core areas of Scots settlement, Scots outnumbered English settlers by five or six to one.^[23] Modern Scots is used to describe the language after 1700 when southern Modern English was generally adopted as the literary language though Scots remained the vernacular.

Before the Treaty of Union 1707, when Scotland and England joined to form the Kingdom of Great Britain, there is ample evidence that Scots was widely held to be an independent language^[24] forming a pluricentric diasystem with English.

The linguist Heinz Kloss considered Modern Scots a Halbsprache (half language) in terms of a Ausbausprache - Abstandsprache - Dachsprache framework^[25] although today, in Scotland, most people's speech is somewhere on a continuum ranging from traditional broad Scots to Scottish Standard English. Many speakers are either diglossic and/or able to code-switch along the continuum depending on the situation in which they find themselves. Where on this continuum English-influenced Scots becomes Scots-influenced English is difficult to determine. Since standard English now generally has the role of a Dachsprache, disputes often arise as to whether or not the varieties of Scots are dialects of Scottish English or constitute a separate language in their own right.

The UK government now accepts Scots as a regional language and has recognised it as such under the European Charter for Regional or Minority Languages.

Evidence for its existence as a separate language lies in the extensive body of Scots literature, its independent — if somewhat fluid — orthographic conventions and in its former use as the language of the original Parliament of Scotland.^[27] Since Scotland retained distinct political, legal and religious systems after the Union, many Scots terms passed into Scottish English. For instance, libel and slander, separate in English law, are bundled together as defamation in Scots law.

[edit] Language shift

From the mid sixteenth century written Scots was increasingly influenced by the Standard English of England due to developments in royal and political interactions with England^[28] and the increasing influence and availability of books printed in England, and so most writing in Scotland came to be done in the English fashion^[29]. In 1603 King James VI of Scotland became King James I of England. The Protestant reformation in Scotland adopted the 1611 Authorized King James Version of the Bible and the Acts of Union 1707 which led to England joining Scotland to form the United Kingdom of Great Britain, having a single Parliament of Great Britain based in London. After the Union and the shift of political power to England, the use of Scots was discouraged by many in authority and education, as was the notion of Scottishness itself.^[30] Many leading Scots of the period, such as David Hume, considered themselves Northern British rather than Scottish.^[31] They attempted to rid themselves of their Scots in a bid to establish standard English as the official language of the newly formed Union. Nevertheless Scots was still spoken across a wide range of domains until the end of the seventeenth century^[29], illustrated for example, in the summary by F. Pottle, James Boswell's twentieth century biographer, concerning James' view of the speech habits of his father Alexander Boswell, a judge of the supreme courts of Scotland :

He scorned modern literature, spoke broad Scots from the bench, and even in writing took no pains to avoid the Scotticisms which most of his colleagues were coming to regard as vulgar.

Others did however scorn Scots, such as intellectuals from the Scottish Enlightenment like David Hume and Adam Smith, who went to great lengths to get rid of every Scotticism from their writings.^[32] Following such examples, many well-off Scots took to learning English through the activities of those such as Thomas Sheridan, who in 1761 gave a series of lectures on English elocution. Charging a guinea at a time (about £100 in today's money^[33]), they were attended by over 300 men, and he was made a freeman of the City of Edinburgh. Following this, some of the city's intellectuals formed the Select Society for Promoting the Reading and Speaking of the English Language in Scotland. From such eighteenth century activities grew Scottish Standard English^[34]. Scots remained the vernacular of many rural communities and the growing number of urban working class Scots^[35].

In the eighteenth and nineteenth centuries the use of Scots as a literary language was revived by several prominent Scotsmen such as Robert Burns. Such writers establishing a new cross-dialect standard literary norm.

During the first half of the twentieth century, knowledge of eighteenth and nineteenth century literary norms waned and currently there is no institutionalised standard literary form.^[36] By the 1940s the Scottish Education Department's language policy was that Scots had no value "...it is not the language of 'educated' people anywhere, and could not be described as a suitable medium of education or culture"^[37]. Students, of course, reverted to Scots outside the classroom, but the reversion was not complete. What occurred, and has been occurring ever since, is a process of language attrition, whereby successive generations have adopted more and more features from Standard English. This process has accelerated rapidly since widespread access to mass media in English, and increased population mobility, became available after the Second World War^[38]. It has recently taken on the nature of wholesale language shift, sometimes also termed language change, convergence or merger. By the end of the twentieth century Scots was at an advanced stage of language death over much of Lowland Scotland^[39]. Residual features of Scots are often regarded as slang.

[edit] Language revitalisation

Recently, attitudes have somewhat changed, although no education takes place through the medium of Scots. Scots may be covered superficially in English lessons, which usually entails reading some Scots literature and observing the local dialect. Much of the material used is often Standard English disguised as Scots, which has upset proponents of Standard English and proponents of Scots alike.^[40] One example of the educational establishment's approach to Scots is "Write a poem in Scots. (It is important not to be worried about spelling in this – write as you hear the sounds in your head.)",^[41] whereas guidelines for English require teaching pupils to be "writing fluently and legibly with accurate spelling and punctuation."^[42] Scots can also be studied at university level.

The use of Scots in the media is scant and is usually reserved for niches where local dialect is deemed acceptable, e.g. comedy, Burns Night, or representations of traditions and times gone by. Serious use for news, encyclopaedias, documentaries, etc. rarely occurs in Scots, although the Scottish Parliament website offers some information in it.

Areas where the Scots language was spoken in the twentieth century.^[43][44]

It has been difficult to determine the number of speakers of Scots via census, because many respondents might interpret the question "Do you speak Scots?" in different ways. Campaigners for Scots pressed for this question to be included in the 2001 U.K. National Census. The results from a 1996 trial before the Census, by the General Register Office for Scotland^[45], suggested that there were around 1.5 million speakers of Scots, with 30% of Scots responding "Yes" to the question "Can you speak the Scots language?", but only 17% responding "Aye" to the question "Can you speak Scots?". (It was also found that older, working-class people were more likely to answer in the affirmative.) The University of Aberdeen Scots Leid Quorum performed its own research in 1995, suggesting that there were 2.7 million speakers. The GRO questions, as freely acknowledged by those who set them, were not as detailed and as systematic as the Aberdeen University ones, and only included reared speakers, not those who had learned the language. Part of the difference resulted from the central question posed by surveys: "Do you speak Scots?". In the Aberdeen University study, the question was augmented with the further clause "… or a dialect of Scots such as Border etc", which resulted in greater recognition from respondents. The GRO concluded that there simply wasn't enough linguistic self-awareness amongst the Scottish populace, with people still thinking of themselves as speaking badly pronounced, grammatically inferior English rather than Scots, for an accurate census to be taken. The GRO research concluded that "[a] more precise estimate of genuine Scots language ability would require a more in-depth interview survey and may involve asking various questions about the language used in different situations. Such an approach would be inappropriate for a Census." Thus, although it was acknowledged that the "inclusion of such a Census question would undoubtedly raise the profile of Scots", no question about Scots was, in the end, included in the 2001 Census.^[46][47][48] The Scottish Government's Pupils in Scotland Census 2008^[49] found that 306 pupils spoke Scots as their main home language.

Among the earliest Scots literature is John Barbour's Brus (fourteenth century), Wyntoun's Cronykil and Blind Harry's Wallace (fifteenth century). From the fifteenth century, much literature based on the Royal Court in Edinburgh and the University of St Andrews was produced by writers such as Robert Henryson, William Dunbar, Gavin Douglas and David Lyndsay. The Complaynt of Scotland was an early printed work in Scots. The Eneados is a Middle Scots translation of Virgil's Aeneid, completed by Gavin Douglas in 1513.

After the seventeenth century, anglicisation increased. At the time, many of the oral ballads from the borders and the North East were written down. Writers of the period were Robert Sempill, Robert Sempill the younger, Francis Sempill, Lady Wardlaw and Lady Grizel Baillie.

In the eighteenth century, writers such as Allan Ramsay, Robert Burns, Robert Fergusson and Walter Scott continued to use Scots. Scott introduced vernacular dialogue to his novels. Other well-known authors like Robert Louis Stevenson, William Alexander, George MacDonald, J. M. Barrie and other members of the Kailyard school like Ian Maclaren also wrote in Scots or used it in dialogue.

In the Victorian era popular Scottish newspapers regularly included articles and commentary in the vernacular, often of unprecedented proportions.^[50]

In the early twentieth century, a renaissance in the use of Scots occurred, its most vocal figure being Hugh MacDiarmid whose benchmark poem A Drunk Man Looks at the Thistle (1926) did much to demonstrate the power of Scots as a modern idiom. Other contemporaries were Douglas Young, John Buchan, Sidney Goodsir Smith, Robert Garioch and Robert McLellan. The revival extended to verse and other literature.

In 1955 three Ayrshire men, 'Sandy' MacMillan, an English teacher at Ayr Academy, Thomas Limond, noted town Chamberlain of Ayr, and A.L. (Ross) Taylor, Rector of Cumnock Academy collaborated to write Bairnsangs (Child Songs),^[51] a collection of children's nursery rhymes and poems in Scots. The book contains a five page glossary of contemporary Scots words and their pronunciations.

Alexander Gray's translations into Scots constitute the greater part of his work, and is the main basis for his reputation.

In 1983 William Laughton Lorimer's translation of the New Testament from the original Greek was published.

Highly anglicised Scots is sometimes used in contemporary fiction, for example, the Edinburgh dialect of Scots in Trainspotting by Irvine Welsh (later made into a motion picture of the same name).

But'n'Ben A-Go-Go by Matthew Fitt is a cyberpunk novel written entirely in what Wir Ain Leid (Our Own Language) calls "General Scots". Like all cyberpunk work, it contains imaginative neologisms.

The Rubaiyat of Omar Khayyam has been translated into Scots by Rab Wilson (published in 2004). Alexander Hutchison has translated the poetry of Catullus into Scots, and in the 1980s, Liz Lochhead produced a Scots translation of Tartuffe by Molière. J. K. Annand translated poetry and fiction from German and medieval Latin into Scots.

The strip cartoons Oor Wullie and The Broons in the Sunday Post use some Scots.

The orthography of Older Scots had become more or less standardised^[52]by the middle to late sixteenth century.^[53] After the Union of the Crowns in 1603 the Standard English of England came to have an increasing influence on the spelling of Scots^[54] through the increasing influence and availability of books printed in England. After the Acts of Union in 1707 the emerging Scottish form of Standard English replaced Scots for most formal writing in Scotland.^[29]

The eighteenth-century Scots revival saw the introduction of a new literary language descended from the old court Scots, but with an orthography that had abandonded some of the more distinctive old Scots spellings^[55], adopted many standard English spellings, although from the rhymes it was clear that a Scots pronunciation was intended^[56], and introduced what came to be known as the apologetic apostrophe^[57], generally occurring where a consonant exists in the Standard English cognate. This Written Scots drew not only on the vernacular but also on the King James Bible and was also heavily influenced by the norms an conventions of Augustan English poetry.^[58] Consequently this written Scots looked very similar to contemporary Standard English, suggesting a somewhat modified version of that, rather than a distinct speech form with a phonological system which had been developing independently for many centuries.^[59] This modern literary dialect, ‘Scots of the book’ or Standard Scots^[60][61] once again gave Scots an orthography of its own, lacking neither “authority nor author.”^[62] This literary language used throughout Lowland Scotland and Ulster^[63], embodied by writers such as Allan Ramsay, Robert Fergusson, Robert Burns, Sir Walter Scott, Charles Murray, David Herbison, James Orr, James Hogg and William Laidlaw among others, is well described in the 1921 Manual of Modern Scots^[64].

Other authors developed dialect writing, preferring to represent their own speech in a more phonological manner rather than following the pan-dialect conventions of modern literary Scots.^[56], especially for the northern^[65] and insular dialects of Scots.

During the twentieth century a number of proposals for spelling reform were presented. Commenting on this, John Corbett (2003: 260) writes that "devising a normative orthography for Scots has been one of the greatest linguistic hobbies of the past century." Most proposals entailed regularising the use of established eighteenth and nineteenth century conventions, in particular the avoidance of the apologetic apostrophe which supposedly represented "missing" English letters. Such letters were never actually missing in Scots. For example, in the fourteenth century, Barbour spelt the Scots cognate of 'taken' as tane. Since there has been no k in the word for over 700 years, representing its omission with an apostrophe seems pointless. The current spelling is usually taen.

Through the twentieth century, with the decline of spoken Scots and knowledge of the literary tradition, phonetic (often humorous) representations became more common.

• Billy Kay
• Dictionary of the Scots Language
• Doric
• Lallans
• Languages of the United Kingdom
• Modern Scots
• Phonological history of Scots
• Report and Recommendations of the Scots Spelling Committee
• Scotticism
• Scottish Corpus of Texts and Speech
• Scottish English
• Scottish literature
• Wikipædia (Scots)

Wikimedia Commons has media related to: Scots language

Wikibooks has a book on the topic of Lowland Scots

Scots language edition of Wikipedia, the free encyclopedia

• Scots-online
• The Scots Language Society
• Scots Language Centre
• The Linguist List, Eastern Michigan University and Wayne State University
• Scots at Omniglot
• Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online
• Dictionary of the Scottish Language – Phonetic Description of Scottish Language and Dialects
• Words Without Borders Peter Constantine: Scots: The Auld an Nobill Tung
• Scots in Schools
• Emily SJE Kilborn (2007), The Politics of Language in Europe Case Studies in Scots, Occitan, Moldovan, & Serbo‐Croatian  

[edit] Dictionaries and linguistic information

• The Dictionary of the Scots Language
• Scottish Language Dictionaries Ltd.
• Dialect Map
• SAMPA for Scots
• Scottish words - illustrated
• Abstract: Vowel height harmony and blocking in Buchan Scots, Mary Paster, University of California, Phonology Vol. 21, Issue 3
• Scots Language Recordings

[edit] Collections of texts

• ScotsteXt - books, poems and texts in Scots
• A Tait Wanchancie - a collection of texts
• Scottish Corpus of Texts & Speech - Multimedia corpus of Scots and Scottish English
• BBC Voices, Scots section - The BBC Voices Project is a major though informal look at UK language and speech

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